The experiment itself was simple: Nicholas Christenfeld and Jonathan Leavitt of UC San Diego gave several dozen undergraduates 12 different short stories. The stories came in three different flavors: ironic twist stories (such as Chekhov’s “The Bet”), straight up mysteries (“A Chess Problem” by Agatha Christie) and so-called “literary stories” by writers like Updike and Carver. Some subjects read the story as is, without a spoiler. Some read the story with a spoiler carefully embedded in the actual text, as if Chekhov himself had given away the end. And some read the story with a spoiler disclaimer in the preface.
Here are the results.
The first thing you probably noticed is that people don’t like literary stories. (And that’s a shame, because Updike’s “Plumbing” is a masterpiece of prose: “All around us, we are outlasted….”) But you might also have noticed that almost every single story, regardless of genre, was more pleasurable when prefaced with a spoiler. This suggests that I read fiction the right way, beginning with the end and working backwards. I like the story more because the suspense is contained.
» via Wired
If it was good enough for the ancient Greeks, it’s good enough for us.
I’d love a compendium of these stories (with spoilers, please).
A new Evolution Series locomotive being transferred from GE Transportation’s test track to BNSF tracks for pickup.
You’ve probably heard the news. No, you’ve definitely heard the news, because it’s Monday and you’ve been reading tech...